Structure the ages.
In Friel’s play Dancing at Lughnasa (1990), the radio is an important theatrical device. Apart from connecting the Mundy sisters to an emerging modernity, it also functions as an almost supernatural presence as it makes sudden musical intrusions that disturb the domestic scene.
Friel's creative process
Friel scholar Zosia Kuczyńska gives an overview of some of the distinctive features of playwright Brian Friel’s creative process as revealed by his literary archives at the National Library of Ireland.
Robbie Blake's transcription of Friel's markings
This is Robbie Blake’s transcription of markings made by Brian Friel on a page of notes towards Dancing at Lughnasa (1990).
Dance House, 3 September 2020
This is a recording of a live improvisation by dancers Marion Cronin, Sarah Ryan, and Lucia Kickham whilst listening to Zosia Kuczyńska’s placeholder recording of the opening monologue from Brian Friel’s Dancing at Lughnasa (1990).